Artist: Bach Collegium Japan, Masaaki Suzuki Title: Mendelssohn: Symphony No. 2 'Lobgesang' Year Of Release: 2026 Label: BIS Genre: Classical Quality: FLAC (tracks) / 24bit-96kHz Total Time: 62:24 Total Size: 2 1.10 GB Tracklist: 1. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": Ia. Sinfonia. Maestoso con moto - Allegro (12:15) 2. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": Ib. Sinfonia. Allegretto un poco agitato (5:40) 3. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": Ic. Sinfonia. Adagio religioso (6:28) 4. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": II. Alles, was Odem hat (6:41) 5. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": III. Saget es, die ihr erlöset seid (3:08) 6. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": IV. Sagt es, die ihr erlöset seid (1:52) 7. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": V. Ich harrete des Herrn (4:24) 8. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": VI. Stricke des Todes … Wir riefen in der Finsternis (3:39) 9. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": VII. Die Nacht ist vergangen (4:36) 10. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": VIII. Nun danket alle Gott (3:34) 11. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": IX. Drum sing ich mit meinem Liede (4:24) 12. Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang": X. Ihr Völker, bringet her (5:45) Masaaki Suzuki and the Bach Collegium Japan, renowned for their definitive interpretations of Bach’s vocal music, have also garnered critical acclaim for their recordings of major choral and orchestral works, including Mozart’s Requiem and the Mass in C minor, Beethoven’s Missa Solemnis and Symphony No. 9, and Brahms’s Ein deutsches Requiem. Their latest venture sees them turn their expertise to Felix Mendelssohn’s symphony-cantata, Symphony No. 2 ‘Lobgesang’ (Hymn of Praise). Scored for soloists, choir and orchestra, the work comprises three symphonic movements and a final chorus – a design that clearly echoes Beethoven’s Ninth Symphony. Yet, Mendelssohn takes this concept further, with the concluding cantata section occupying two-thirds of the entire work’s duration. Its text draws from biblical excerpts and specially commissioned poems. The initial symphonic movements, steeped in German Romanticism, deftly alternate with chorale-like passages, establishing a profound link to the ancient cantata tradition that defines the monumental finale. Premièred at St Thomas’ Church in Leipzig (the same church where Mendelssohn’s hero, Johann Sebastian Bach, once worked), the work celebrates the 400th anniversary of Gutenberg’s invention of the printing press. It proved an immediate and resounding success, quickly becoming one of the most frequently performed works during Mendelssohn’s lifetime