Virus-free.www.avg.com RADIO ETHER PROGRAM TWO THOUSAND ONE HUNDRED AND THIRTY THREE (SLAUGHTER ON TENTH AVENUE ETHER) In short, the whole world being divided about whether the stream was going slower or faster, became conscious of something vague but vast that was going against the stream. Both in fact and figure there is something deeply disturbing about this, and that for an essential reason. A dead thing can go with the stream, but only a living thing can go against it. A dead dog can be lifted on the leaping water with all the swiftness of a leaping hound; but only a live dog can swim backwards. A paper boat can ride the rising deluge with all the airy arrogance of a fairy ship; but if the fairy ship sails upstream it is really rowed by the fairies. And among the things that merely went with the tide of apparent progress and enlargement, there was many a demagogue or sophist whose wild gestures were in truth as lifeless as the movement of a dead dog’s limbs wavering in the eddying water; and many a philosophy uncommonly like a paper boat, of the sort that it is not difficult to knock into a cocked hat. But even the truly living and even life-giving things that went with that stream did not thereby prove that they were living or life-giving. It was this other force that was unquestionably and unaccountably alive; the mysterious and unmeasured energy that was thrusting back the river. That was felt to be like the movement of some great monster; and it was none the less clearly a living monster because most people thought it a prehistoric monster. It was none the less an unnatural, an incongruous, and to some a comic upheaval; as if the Great Sea Serpent had suddenly risen out of the Round Pond—unless we consider the Sea Serpent as more likely to live in the Serpentine. This flippant element in the fantasy must not be missed, for it was one of the clearest testimonies to the unexpected nature of the reversal. That age did really feel that a preposterous quality in prehistoric animals belonged also to historic rituals; that mitres and tiaras were like the horns or crests of antediluvian creatures; and that appealing to a Primitive Church was like dressing up as a Primitive Man. -G.K. Chesterton, "The Everlasting Man" REEL 1 1. Intro 2. Reading from The Everlasting Man by G.K. Chesterton - Charles Cicirella 3. After the Gold Rush (Neil Young) - Prelude [After the Gold Rush - Warner Bros. Records - 1974] 4. Slaughter on Tenth Avenue (From On Your Toes) (Rodgers) - Richard Rodgers Conducting The Philharmonic-Symphony Orchestra of New York [Richard Rodgers Conducting The Philharmonic-Symphony Orchestra of New York - Columbia - 1955] 5. talk 6. Wake Up (E. Papathanassiou, R. Francis) - Aphrodite's Child [It's Five O'Clock - Mercury - 1969] 7. Five to One (The Doors) - The Doors [Waiting for the Sun - Elektra - 1968] 8. See My People Come Together (T. Bolin) - Zephyr [Going Back to Colorado - Warner Bros. Records - 1971] 9. talk 10. Nasty Disposition (Buddy Miles) - Buddy Miles [More Miles Per Gallon - Casablanca - 1975] 11. We Gotta Get Out of This Place (Barry Mann/Cynthia Weil) - The Leslie West Band [The Leslie West Band - Phantom Records - 1975] 12. Death of a Dream (Richardson) - Red Dirt [Red Dirt - Fontana - 1970] 13. talk 14. Let's Go Home (R. Staples) - John Hammond [Source Point - Columbia - 1971] 15. Pollution (K. McDaniel) - Bo Diddley [Another Dimension - Chess - 1971] 16. Pick Up the Pizzas (Webb) - James Gang [Jesse Come Home - ATCO Records - 1976] REEL 2 17. talk 18. Stoned Faces Don't Lie (Doug Sahm) - Sir Douglas Quintet [The Return of Doug Saldaña - Philips - 1971] 19. I and I (Bob Dylan) - Bob Dylan [Infidels - Columbia - 1983] [Ripped from Columbia – QC 38819 - Format: Vinyl, LP, Album - Country: US - Released: 1983] 20. Crying at Daybreak (early version of Smokestack Lightning) (Chester Burnett) (Recorded October 2, 1951 at KWEM Radio Station, West Memphis, AR) - Howlin' Wolf, voc, hca; Ike Turner, p; Willie Johnson, g; b; Willie Steel, drums. [Shellac, 10", 78 RPM - RPM Records - 1951] 21. talk 22. Fever's Got Me Burnin' (Bugs Pemberton, Jackie Lomax) - Jackie Lomax [Three - Warner Bros. Records - 1972] 23. Between Alpha and Omega (C. Lux, R. de Queljoe) - Brainbox [Vinyl, 7", 45 RPM, Single - Imperial - 1970] 24. Wanna Be Free (J. Tex) - Mike Harrison [Smokestack Lightning - Island Records - 1972] 25. talk 26. Yellow Dog (John Nitzinger) - Nitzinger [Live Better Electrically - 20th Century Records - 1976] 27. Animal Speaks (Cat Iron) - 15-60-75 [Jimmy Bell's Still In Town - Warner Bros. Records - 1976] 28. For Mary and Child (Pearse, Povey) - Dogfeet [Dogfeet - Reflection - 1970] 29. Outro 30. I Get Mad (Jim Price, Joe Cocker) - Joe Cocker [ I Can Stand A Little Rain - A&M Records - 1974] [ETHER BONUS] 31. Down in the Bottom (Thomas) - Creepy John Thomas [Brother Bat Bone - Telefunken - 1970] [ETHER BONUS] 32. Moon Going Down (Patton) (Recorded either ca. May 28 or August 1930 in Grafton, WI.) - Charley Patton: Voice & Guitar, Willie Brown: Guitar (Uncredited) [Shellac, 10", 78 RPM - Paramount - 1930] [ETHER BONUS] DJ: Charles Cicirella Tuesday, February 17, 2026 Cleveland, Ohio Artwork included ENJOY! ONWARD-FORWARD-INFINITE